Friday, March 31, 2017

Oregon Impressions by Dave Deason


When composer Dave Deason first contacted me, years ago, about recording a CD of his piano music, I was both flattered and confused—flattered that he considered me a good “voice” for his music and confused as to what he heard in my playing that caused him to choose me.  Within a few months of working together it became apparent that we not only shared a love for music that borrows from many different styles, but we also have the same wicked sense of humor.
Dave’s CD project became my second CD, Oregon Impressions: Solo Piano Music of Dave Deason.  Since then, I’ve gone on to learn (and record) many more pieces by this remarkable composer whose music has been performed all over the country—including Carnegie Hall.  Each time I return to one of his compositions, I’m struck by how compact, well-crafted, and lyrical they are.
Dave and I are both “transplants” to Oregon, but I feel he does an excellent job capturing the beauty of this state in his pieces.  Perhaps it’s only now, as I apply for a long-term visa in Ireland and prepare to move away from Oregon, that I can appreciate the poignancy in Dave’s music.
To order sheet music:
http://www.davedeason.com/compositions/index.htm
To order CD:
https://www.amazon.com/Oregon-Impressions-Dave-Deason/dp/B000FTB5IC

Gustav Le Gray by Caroline Shaw


Composer Caroline Shaw describes Gustav Le Gray as “a multi-layered portrait of [Chopin’s] Op. 17 #4 using some of Chopin’s ingredients overlaid and hinged together with my own.”  To me, Gustav Le Gray feels like time travel.  We leave the present, return to the elegant world of Chopin, and then come back to the present, only to find it is now weighted by our encounter with the past.
This recording of Gustav Le Gray is a live, one-take, performance of the piece, recorded in my dear friend Dana Libonati's home on his beautiful 9-foot concert grand.  It has all the immediacy of a live performance, including a few smudged notes, a squeaking piano bench, and (if you listen closely), the sounds of Dana’s dogs scratching on the hardwood floors in the next room. It also has the warmth I felt when playing a piece I love for a friend I love, on a cold, foggy, end-of-December day.
Gustav Le Gray caught my imagination first time I heard it on Shaw’s website and I immediately purchased a copy of it.  Currently, this is the only piece she’s written for solo piano. I’m an evangelist for new music and love sharing my finds with other pianists. Perhaps if enough of us buy the piece, she may be encouraged to write another.